Apply the gaussian blur filter

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| 7. | ||
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paint on the mask and you want to refer to the color image, simply click the composite channel (either RGB or CMYK depending on your image) at
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| click the mask channel again to return | |||
| view both the mask and the composite | |||
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simultaneously. Your mask appears as | |
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| paint inside the mask without creating | |||
| Your mask is refined and ready to go. | |||
| Click the first icon on the left at the | |||
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A selection marquee appears around | ||
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If you want to soften the edge a little, you can choose Select➪Feather and enter a value somewhere between .5 pixel (for a low-resolution image) to 2 pixels (for a high-resolution image). Feathering allows for a softer, natural-
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| masked element and the background. | |||
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| size, so you have to zoom in to paint | |||
| clicking the RGB channel (or CMYK | |||
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| Masking Hair, Fur, and Other Wispy Things |
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| down to a science, but believe me, | |||
| it’s worth your time. Nine times out | |||
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| ground with a solid color, so I left |
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| your masked element into the second | |||
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image. A couple of things to keep in | ||
| ground with a solid color. Check | |||
| the edges to see how clean your | |||
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| 16. |
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When you’re happy with your chan-
nel mask, save and close the file.


