Office art memo essay sample

Now, for the first of the Post-Impressionist period, I selected a painting with great color scheme, showing a lion devouring its prey, which could represent the company that is overcoming their competition by conducting business with ethics, and good extenders of service a take no prisoner’s attitude in the jungle of business world, the next painting entitled In the Oise Valley, which shows three houses in a country setting with trees and a meadow showing the calmness and peacefulness of living in a small town , and The last painting had a stack of books spread out across the table with a small glass filled with water containing a flower, but the painting is colored mostly with yellow, some red and green.

As for placement of the last three paintings, I decided to put the A Lion Devouring its Prey in the central work area to show the employees that hard work and dedication will get them the rewards that they deserve for they have done for the company, the next one, In the Oise in the Valley, could be placed in the main break room of the company, so that the employees have a place to relax and not be disturbed in order to get away from the regular environment that any workplace create, even though just for a little while from their rigorous job, and The Yellow Books could be placed where the company keeps all its information on the business to represent how the business conducts itself and what the future holds for the business and all the customers. Explain why each piece is considered to be historically significant. Pierre Auguste Renoir made his mark historically on the surfaces of his paintings by using small dabs of pigment that were applied uniformly, but his brush strokes were somewhat nervous, but yet he used the sunlight effects that were achieved with colored shadows, and loose brushwork.

Charles F. Stuckey (1995, November 01). Claude Monet: Impressionism’s Leading Light. USAToday Magazine, ({124}) Retrieved from http://elibrary. bigchalk. com Gauguin, (1848-1903), P. (Artist), and Bridgeman(Publisher). (2004). Self Portrait, c. 1893[Graphic]. Retrieved from http://elibrary. bigchalk. com Gogh, Vincent (Artist), and Bridgeman(Publisher). (2004). The Yellow Books, 1887[Graphic]. Retrieved
from http://elibrary. bigchalk. com Knowles, Laura “ Goghing ‘ Face to Face’ Van Gogh portraits tracks his life as well as his art..” Sunday News; Lancaster, Pa.. 2000, October 15: H1. Manet, (1832-83), E. (Artist), and Bridgeman(Publisher). (2004). Portrait of Emmanuel Chabrier (1841-94) 1881[Graphic]. Retrieved from http://elibrary. bigchalk. com Pissarro, (1831-1903), C. (Artist), and Bridgeman(Publisher). (2004). Boulevard Montmartre, 1897[Graphic]. Retrieved from http://elibrary. bigchalk. com Renoir, Pierre (Artist), and Bridgeman(Publisher). (2004). Self Portrait, 1876[Graphic]. Retrieved from http://elibrary. bigchalk. com Rousseau, Henri (Artist), and Bridgeman(Publisher). (2004). A Lion Devouring its Prey, 1905[Graphic]. Retrieved from http://elibrary. bigchalk. com

Sayre, Henry M. (n. d.). The Humanities: Culture, Continuity and Change, Volume 2, SecondEdition (2011). 2012, 2008 Pearson Education, Inc.